Monty Python's Spamalot (2007) - National Tour

"Anthony Holds is dashing and funny as... Sir Galahad."

Jay Handelman, Sarasota Herald-Tribune

The Full Monty (2006) - Arvada Center

One in particular sets the bar high... Making his Arvada Center debut as a single dad, Anthony Holds... wears his heart on his sleeve -- turning his soul and spirit inside out for all to witness.

Colorado Backstage

Nerds (2005) - New York Musical Theatre Festival

Holds brings a lot of swarthy sex appeal to Jobs, granting him enough charisma to believably trounce his weak-willed competition.

Matthew Murray, Talkin' Broadway

The Last Five Years (2004) - Repertory Theatre of St. Louis

Jason Robert Brown's two-character musical The Last Five Years is the best show to play The Rep studio in the last five years... and Kate Baldwin and Anthony Holds are awesome... if I had time, I'd see The Last Five Years at least once a week from now until closing.

— Chris Jackson, EXP Magazine (Missouri/Southern Illinois)

As Jamie, Anthony Holds excels in his most challenging moments. "The Schmuel Song," in which Jamie concocts an elaborate and somewhat dense story in order to give Cathy her Christmas gift, is the show's toughest piece, but Holds attacks it head-on. He's also not put off by the fact that Jamie becomes increasingly unsympathetic as the evening progresses. To the contrary, Holds manages to find an almost serene dignity in self-destruction... As staged by the Studio Rep, this minimalist musical is a large-scale triumph.

— Dennis Brown, The St. Louis Riverfront Times

My Fair Lady (2003) - Fulton Opera House

The voices are outstanding, from the barbershop quartet of Covent Garden working blokes, to the knock-your-socks-off tenor of Anthony Holds, playing the usually milquetoast-ish Freddy Eynsford-Hill.

— Marty Crisp, Lancaster Sunday News

Anthony Holds is a perfectly heartfelt Freddy.

— Jane Holahan, Lancaster New Era

Annie Get Your Gun (2002) - Arundel Barn Playhouse

Holds plays the smooth walker and talker with skill, and his rich singing voice brings even more life to already well-known musical numbers.

— York County Coast Star

Holds possesses one of the most beautiful baritone voices that I have heard in a long time and, equally important, he knows how to use it.

— Journal Tribune

His lean handsomeness and concert-baritone voice are a throwback to the days before musical theater went pop.

— Portland Press Herald

Dido (& Aeneas) (2003) - Prospect Theatre Company

It is a captivating play, made more enjoyable by the excellent acting and singing. Jacquelyn Baker was Dido, and Anthony Holds played Aeneas. Together they sparkled, possessed with a notable stage presence. ...Dido (& Aeneas) is an excellent play, one of the best so far this year.

— Jenny Sandman, The Off-Off-Broadway Review

Oklahoma (2002) - Seacoast Repertory Theatre

Anthony Holds as Curly is just splendid ... his baritone voice is rich and sounds of confidence. His acting performance is the same. He's utterly charming and every look and move appears natural ...Holds displays that rare 'je ne sais quoi' that's capable of pulling an audience to him.

— Foster's Showcase

Anthony Holds' vibrant voice captures us immediately. ...Curly is respectful and shy, dependable and strong. He's also boastful. Holds let us see all of those layers.

— Seacoast Spotlight

I Love You, You're Perfect, Now Change (2002) - Seacoast Repertory Theatre

(Holds) is both funny and charming... his voice is strong and his characters likeable.

— Seacoast Spotlight